Over the course of innumerable miles in Riverside Park, and then by post and phone, my erstwhile jogging companion Piero Weiss listened to ideas, read and reread drafts, translated, edited, and bore with me. Nino Pirrotta inspired my earliest attempts to understand opera in Venice and has remained a guiding spirit, a model of passionate and humane scholarship for my work ever since. At every stage of its elephantine gestation, I have benefitted from the encouragement and criticism of friends and colleagues. This book represents the culmination of research carried out over the past two decades. Gertrude Fineman and Lester Fineman Acknowledgments Opera in Seventeenth-Century Venice: The Creation of a Genre. Berkeley: University of California Press, c1991 1991.
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